Latest Articles

Previsualization Part II

Interpolation Revisited

Quality Prints

Photography Ideas -- Part 2

Photography Ideas -- Part 1

Texture Photography -- Part 3

Texture Photography -- Part 2

Texture Photography -- Part 1

Abstract Photography -- Part 4

Abstract Photography -- Part 3

Abstract Photography -- Part 2

Abstract Photography -- Part 1

Optimizing Printing Resolution to Create High Quality Prints



Advanced Composition -- Part I

Advanced Composition -- Part II

Advanced Composition -- Part III

The Art of Subtraction

Importance of Foreground

Importance of Shadows




Actions -- Part I

Actions -- Part II

Batch Processing

Blend If

Blend Modes -- Part I

Blend Modes -- Part II

Blend Modes -- Part III

Blend Modes -- Part IV

Burning the Edges

Contrast Enhancement via Channel Mixer

Curves -- Part I

Curves -- Part II

Curves -- Part III

Curves -- Part IV

Curves -- Part V

Digital Graduated Neutral Density filter

Digital Manipulation


Fine Art Workflow (Beaver Pond -- Part I

Fine Art Workflow (Beaver Pond -- Part II

Fine Art Workflow (Beaver Pond -- Part III

Fine Art Workflow (Beaver Pond -- Part IV

Histogram -- Part I

Histogram -- Part II

Layers -- Part I

Layers -- Part II

Layers -- Part III

Levels -- Part I

Levels -- Part II

Levels -- Part III

Levels -- Part IV

Localized Contrast -- Part I

Localized Contrast -- Part II

Localized Contrast -- Part III

Localized Contrast -- Part IV

Masking for Contrast Control

Noise -- Part I

Noise -- Part II

Noise -- Part III

Noise -- Part IV

Non-destructive Editing -- Part I

Non-destructive Editing -- Part II

Non-destructive Editing -- Part III

Optimizing Dynamic Range -- Part I

Optimizing Dynamic Range -- Part II

Optimizing Dynamic Range -- Part III

Optimizing Dynamic Range -- Part IV

Preparing Images for the Web

Raw Workflow -- Basic

Selections and Masks -- Part I

Selections and Masks -- Part II

Selections and Masks -- Part III

Selections and Masks -- Part IV

Selections and Masks -- Part V

Shadow/Highlight Detail -- Part I

Shadow/Highlight Detail -- Part II

Shadow/Highlight Detail -- Part III

Shadow/Highlight Detail -- Part IV

Sharpening -- Part I

Sharpening -- Part II

Sharpening -- Part III

Sharpening -- Part IV

Sharpening -- Part V

Sharpening -- Part VI

Soft Focus

Straightening Images -- Part I

Straightening Images -- Part II


Tonal Adjustments with Blend Modes


Equipment/Field Issues

Camera Histogram

Depth of Field -- Part I

Depth of Field -- Part II

Forget Me Not List

Photography with a Compass


Secret of Too



Magic Hour Times Two

Nature of light

Reflected Light

White Balance


Locations/Scenes/Subject Matter

Fall Color

How to Photograph Flowers -- Part I

How to Photograph Flowers -- Part II

How to Photograph Flowers -- Part III

Sunrises and Sunsets

Waterfalls -- Part I

Waterfalls -- Part II

Waterfalls -- Part III

Waterfalls -- Part IV



Perception: Color & Luminosity -- Part I

Perception: Color & Luminosity -- Part II

Perception: Color & Luminosity -- Part III

Perception: Color & Luminosity -- Part IV

Perception: Color & Luminosity -- Part V

White Point



Advantages of Fourteen Bit Cameras-- Part I

Advantages of Fourteen Bit Cameras-- Part II

Digital Exposure

Interpolation -- Part I

Interpolation -- Part II

Interpolation -- Part III



Why Raw -- Part I

Why Raw -- Part II

Why Raw -- Part III